Connectivity...

It is fascinating when connections appear. We are in the process of saying many goodbyes in Gloucester as we prepare to finish in St Catharine's parish and also a chaplaincy ministry that I've done for nearly three years. Goodbyes are difficult, even knowing that friendships will continue as ministry moves on.

But the connection? The staff for whom I was chaplain made a lovely presentation of various bits and bobs - including a book of images of Dunoon and Cowal (but not Bute - which is equally part of the future!). The book is super, even as I reflected on the fact that I will have those images live in front of me in just over a week. It is also a very useful local history book, a good way of reading into Cowal and that element of where we are going.

In the section on Kirn, there are photographs of some Clyde shipping. These include a tall ship and cruise liner, both seen off the coast at Kirn. The third image, to show something a bit stranger, was a ship's bow on a barge, being towed by a tug up the Clyde. This last one was, of course, a Type 45 'Daring' class destroyer bow. I can't say that I designed it - that was done by one of my junior naval architect colleagues, along with VT hydrodynamicists on the T45 PCO in 2000-01 or so, but I worked on so many aspects of the form, the layout, the content, the detailed integration of the internal and external systems that I can honestly say that I know it very, very well indeed. Even seven or eight years on, I feel that I invested a lot of myself in this lump of metal (and the other bits that weld together to form the finished product). And it finds its way into a book of images that define Cowal.




There can often be a tension between our personal histories and futures. The story of a warship-designer turned Anglican priest is an interesting one (I think, anyway), and one that demands some rigour in the ethical sub-texts. I plan to go and see Duncan, ship 06, when she is launched in October 2010, and explore some of those tensions of pride, history and ethics in more detail.

Cinema theologica...

Some of my colleagues at college (oxymoron? tautology...) were heavily into theology of the cinema, so today I find myself in a suitable position to engage with this powerful and vivid approach to culturally relevant insights into a living gospel.

As part of our process of moving, we took the children to see a gritty and biting expose of post-modern consumer excess and environmentally incompetent human over-development. The makers of this film pulled no punches in their attempts to demonstrate that the delicate balance of the eco-system, God's beloved creation (my sub-text, not theirs), is all too easily disrupted by the shallow, inward-looking nature of human greed. The nature of humanity, as Paul constantly draws us towards, is driven by self-love and arrogance. The sinful nature of human dealings with the natural order, as we might find in Thomas' Summa Theologica, is played out in a series of venal transactions. The film-makers drew the line at human exploitation of intimacy (I think that's what Americans call it), but that was to maintain the PG certificate.

How did the children relate to such a profound and challenging exploration of the broken, sinful nature of humanity? They liked the bits with the skunks...

Would I recommend 'Furry Vengeance' for a general screening of theological scholars? Put it this way - I hope the children will have forgotten how much they liked it before the DVD comes out, so they don't want to buy it...